Incredible program curation – Australian Jewish News

Whether Anthony Hopkins is sharing a special moment with his grandson Armageddon time Or Candice Bergen refusing to accept her husband’s health like they made us – Mayim Bialik’s feature directorial debut – This year’s Jewish International Film Festival (JIFF) brings the cannonballs.

JIFF Artistic Director Eddie Tamir is particularly proud of it.

In addition to Hopkins and Bergen, there are also outstanding performances from Anne Hathaway, Jeremy Strong, Dustin Hoffman, Diana Agron and Charlotte Gainsbourg. accusation According to Tamir, Rotem Sela is “the hottest young actress in Israel today.” Bloody MurrayAnd of course you have another big Israeli name, Lior Ashkenazi. karaokedescribed by Tamir as “a really special film”.

Liol Ashkenazy at karaoke.Photo: Hadas Palash

“The acting is of the highest quality. From the smallest of things, great actors can travel tremendous journeys, Sasson Gabey and Lior Ashkenazy are two legends of Israeli cinema, and they absolutely deserve it.” I think it’s a world-class movie that’s funny and moving.”

This year’s festival will also feature a very wide range of flavors, which Tamir said was the result of the team’s visit to Cannes.

“Cannes is the fresh fruit and vegetable market of cinema,” explained Tamir. “For example, in the case of the opening film Armageddon Time, which premiered at Cannes, if it were still all virtual and the politics and logistics of the industry worked, we might not have had to see the film. It was too late to confirm it for the festival.”

This is just one example of how the JIFF team brought their latest film to Australia. Tamir also pointed out that many of the biggest and most exciting movies weren’t brought online when the market was virtual.

“If you are a producer or distributor, [your film] In the virtual world, you can’t sell it, even pirated, because you could lose it because it was seen by more people than you wanted to be seen. ”

Tamir said the curation of each JIFF festival is a year-long process, and along with Cannes, he and executive director Lindy Tamir worked to ensure that the program was as diverse and exciting as possible early on. I searched around for the screener and explained I was on the phone.

“We take a gamble,” he laughed. “If you like something, he’ll lock it even six months before the cutoff date to make sure the deal is done.”

This is to avoid having to select about 50 movies at the last minute. These films may have been snatched away by other film festivals, so they may miss out on some opportunities.

Tamir said the JIFF team has always kept in mind the diversity of the Australian Jewish community.

“There are so many niches in the Jewish community: age groups, political leanings, historical family roots, LGBTQI, artistic expression, literature. If I find a movie that I think is supposed to be, I’ll work hard on that movie as well, and hopefully it’s enough that it has broader appeal, but it’s just that it serves its niche and it’s High quality [film]we also try to find ways to include it and present an eclectic and diverse slate,” he said.

As for which films should be placed where in the program, Tamir said what would determine the start and end of the festival, and which films should be screened multiple times to make sure everyone who wants to see them sees them. I admit that sometimes is very clear. However, these choices should be made keeping in mind the general rhythm of movie release dates in Australia.

As Tamir explained, in a big release there’s only one shot at doing your best.

Fiddler’s Journey to the Big Screen

Luckily, JIFF as a festival is attractive to even the biggest distributors. Tamir said this was “a testament to the support we are getting and the traction the distributor feels he can get JIFF with a big film premiere in Australia.” said. .

Tamir said this year’s program has a lot to offer in the artistic realm as well, with a dedicated theme of ‘Creative Expression’ and a collaboration between the late Israeli artist Dani Karavan and author Joyce Carroll. Said it was attached to several films sharing Oates’ story. She was Jewish in her later years, her A.B. Digging into drama. fiddler on the roof as a movie.

Another theme that runs throughout the program is ‘challenging the narrative’.movies such as jacuse Looking at the experience of Lithuanian Jews, to never forget by Australian director Peter Hegedas exploring the Holocaust in Latvia, wedding day We are looking at the Polish experience.

where life begins

He names some of Tamir’s favorite movies on the program where life beginscould easily perform at every major festival, he says, sharing the story of an ultra-Orthodox French family who visits the same farm in southern Italy every summer to harvest etrog. March 1968, tells the story of a Jewish schoolgirl and a non-Jewish socialite, and their romance against the backdrop of 1968 communist Poland.When stay with usa French film that has not yet premiered in France, directed and starring French comedian Gad Elmalet, who hides his love for the Virgin Mary and decides to be baptized many to the torment of his Jewish family. about the man who

“It’s as quirky as it sounds,” laughed Tamir. “It’s funny because it also has to do with his stand-up behavior, his family dynamics, and the weirdness of hiding a Virgin Mary statue in a suitcase.”

And then there are all the events that go along with a great movie. In Melbourne there is a real violinist on the roof, while in Sydney and Melbourne mime performances, interactive karaoke and the director’s sessions are spread throughout the program.

Overall, Tamir said the show offers a bit of hope and expands the mindset of all viewers.

“I hope people have an optimistic view of the world and its future. Whether you’re watching a funny rom-com, an uplifting comedy, or something that explores a more difficult subject. Regardless, in general, we know exploring them, the way filmmakers do it, that exploration leads to hope and opportunity for a better way of life in this crazy world. ” he said.

“Most of us typically read, watch, or listen to things that are in a particular box that fits our worldview. I hope that you will use this opportunity to expand your experience and find it rewarding.”

JIFF will be in cinemas in Melbourne, Sydney, Brisbane, Canberra and Perth, with screenings on the Gold Coast and Hobart from 24 October to 7 December. For exact dates and program information,

Incredible program curation – Australian Jewish News

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