Werner Herzog: “Contrary to rumors, I was never a crazy risk-taking stuntman” | | Werner Herzog

W.erner Herzog is almost 80 years old and is reinventing himself as a writer. He wants people to understand that this is who he used to be. From Los Angeles, where he currently lives, he’s talking about his new book. twilight world, a poetic hybrid, somewhere between dream and documentary. A bestseller in the United States within eight days of publication, the book tells the story of Hiroo Onoda, who faithfully defended Luban Island in the Philippines for his 29 years, believing it to be under military command ever since. rice field. World War II is over. Onoda may have come straight out of a Herzog movie, or he may be stepping into it right now. Herzog has made no secret of wanting to make a film about him. Make a movie about me, it should be you, Mr. Herzog.

Herzog looks old. As the conversation progresses, my impression of him changes. He is patient and impatient, serious and humorous, intimidating and profound. He’s used to calling shots of dialogue. Ultimately, he was convinced that Onoda would be better suited for a book than a film. The story is more about fantasy than action, and is dominated by fatalism rather than conventional suspense. Jungle prose poetry is everywhere – camouflage becomes a spiritual quality.

Herzog knows the jungle from several of his films, including his masterpiece. FitzcarraldoAnd he has always been drawn to people outside of conventional society: Kaspar Hauser (in The Mystery of Kaspar Hauser), Timothy Treadwell ( grizzly man) and the characters Klaus Kinski has played in several of his films – crazy, bad, and dangerous to know. inner flamefocuses on volcanologists and filmmakers Katia and Maurice Kraft, who perished in the 1991 eruption of Mount Unzen, Japan. twilight world Talking to Herzog is, above all, a rare, non-judgmental empathy that shows the character of him that makes his work what it is.

This is what Hiroo Onoda’s life looks like A fine delusion, but when I read about him, I felt a combination of admiration and pity.
Hiroo Onoda quickly became close to my heart. What I feel for him is respect. Seeing the “foolishness” of living a fictitious war, there is no need to sympathize with him. Because he had reason to speculate that the war was still going on. When he saw hundreds of fighter planes flying west, he thought the war wasn’t over, even though he was actually witnessing the Korean War. It was actually the Vietnam War when he saw a battleship pass by the tiny island of Lubang.

Hiding in the jungles of Luban Island in the Philippines after World War II, Hiroo Onoda was officially relieved of his post in 1974. Photo: Jiji Press/AFP/Getty Images

How did he attack you as a character? And what did he think of you?
He was very difficult to grasp. But what struck me was his majesty, his quiet determination, and his understanding of the world. When he returned to Japan, he was appalled that Japan had become a consumerist country, and that it had, in his words, “lost its soul.” He left Japan and started a ranch in Brazil. I don’t know what he thought of me, but he wanted to keep in touch with us. At the end of his story, I am fascinated by how his language falls apart and his existence on the island becomes irrelevant.

What about the jungle that holds your imagination so far?
It is the landscape of the soul, of feverish dreams, and of the imagination. In the jungle you are stuck in time. Onoda points out that the present is an illusion. For him, that’s the future when he picks up his feet from the mud of the past and steps into the jungle. We make presents because otherwise we cannot live our days and lives.

What is your approach to time for yourself as you get older?
I live a different life than I did decades ago. As always, I do my job. i sleep for a long time I’m not a workaholic, but my output is intensifying. There are two new movies and two new books of his. I have been a writer all my life. published 50 years ago walk in ice, is still printing. I keep saying: watch out – I believe my writing may outlive my movies. To explain it, I have this simple formula: Film is my voyage and writing is home.

Time itself is allowed in your film. The least rushed moments are often the most memorable.
Give yourself the time you need to breathe and sink into the moments that matter so they become a part of you. I see young children watching movies on their mobile phones. Speed ​​up twice as fast when you’re bored. I know that. Digitally, I edit very quickly.Edited grizzly man, a complex film in 9 days. You can edit almost as fast as you thought.

of grizzly manyou declared: “I believe that the common denominator of the universe is not harmony, but chaos, enmity and murder. Does harmony also exist?”
Not in space. Too chaotic. You don’t have to be an expert, astronomer, or astrophysicist to know that it’s very messy, hostile, and uninhabitable.

But what about your movie harmonies? You are like a Conradian drawn to the heart of darkness, but are you also drawn to the light?
It seems too new to me. Could you use a different term? Sometimes I feel that my films have a balance. It may have something in common with harmony, but it is not easily explained.But the reason I make such statements is because Timothy Treadwell grizzly manit was about the Disneyization of wild nature, the romanticization of it. .

Watching movies with Klaus Kinski again reminds me of what a great actor he was. He’s dead now, but for all his demonic and turbulent, is there any reason you miss him?
Not because we immediately ended our working relationship cobra verde And we had no further contact. But in the long run, yes. Because he had some great moments.his My eldest daughter recently sued him for incest and rape. And I was approached: Shouldn’t I now destroy my films with him and take them out of circulation? I’ve been thinking about this and have some answers. One, Caravaggio was a murderer, so should all his paintings be removed from churches and museums?

Herzog (left) with actors Klaus Kinski and Claudia Cardinale on the set of Fitzcarraldo.
Herzog (left) with actors Klaus Kinski and Claudia Cardinale on the set of Fitzcarraldo in 1981. Photo: Jean-Louis Atlan/Sygma/Getty Images

twilight world It is an exploration of what it means to be misled by fidelity. Do most of us live a life of faithful delusion?
We all live our lives in a made-up theater. We live through performance. It makes life bearable and very human. Our memories are formed voluntarily or involuntarily according to our needs.

How impressed I am grizzly man and to some extent The Mystery of Kaspar Hauseryou are probably describing people who may be mentally unwell, but refreshingly, this is by no means your starting point. Are we labeling people excessively?
You’re asking me a big question, but neither Kaspar Hauser nor Timothy Treadwell come close to being psychotic.

In today’s safety-conscious environment, is it still possible to make a movie like yours?
Contrary to rumor, I was never a crazy stuntman to take risks. I am very methodical and safety oriented. And my proof is that in 80 or so films, not a single actor has been injured.

Are there any movies that, more than anything else, you want to remember?
No, it’s total. And so is writing.

Do you think your characters, and people in general, are fundamentally enigmatic?
there is a line inside Woizek By Georg Buchner Kinski said: “Every human being is an abyss into which one gets dizzy” It is better than I can ever formulate.

Werner Herzog: “Contrary to rumors, I was never a crazy risk-taking stuntman” | | Werner Herzog

Source link Werner Herzog: “Contrary to rumors, I was never a crazy risk-taking stuntman” | | Werner Herzog

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